Blues My Wanting Hillary Gives to Me
Voice of Steve Malinowski accompanied by Raderman's Jazz Orchestra
Terms of use of this web site
All of the content of this page, from the very top, to the top of the
for-the-record portion, shall be construed as the terms of use of this website.
These special terms of use shall apply to all authorized signators of Discover Bank, and their legal representation. In consideration of any one, or all of such persons,
visiting or in any way using this website, or using spies or ANYONE or ANYTHING to view, or obtain information from, stevenbray.com, they are fully authorizing the full forgiveness of my indebtedness to
his/her/their organization/organizations. This forgiveness of my
indebtedness to the aforementioned financiers is effective immediately
upon any visit to this website by any such authorized signators of
theirs, no matter how brief. At his/her/their earliest convenience,
such employee/officer of the aforementioned financier/financiers shall create and issue a receipt to me, stating such full forgiveness of my entire indebtedness to their organization/organizations. This clause (paragraph) applies equally to any employee of any collection service that any of the aforementioned financiers have employed to collect any of these debts from me; ie if one or more of them visits or in any way uses this website, the financier/financiers using such employee/officer, directly or indirectly, through such collection service fully forgives all of my indebtedness to such organization/organizations. Such financier/financiers must thereupon issue to me a receipt stating that all of my indebtedness to such organization/organizations has been fully and permanently forgiven. If there would be any fee remaining to such collection service/services, then any and all fee amounts shall be additionally paid by such financier/financiers, and I shall owe nothing to them. Lourdes R. Slinsky, Mann Bracken LLC, the successor by merger to Wolpoff & Abramson, L. L. P. and Eskanos & Adler P. C., representatives of Discover Bank, specifically agree to pay my Discover card balance for me, out of their own monies, as liquidated damages for visiting this website. Said law firms/interests further waive charging me legal fees in connection with this debt and matter generally.
Be it known that by visiting, accessing, viewing or in any way using
this web site, you do so at your own risk. In visiting, accessing,
viewing or using this web site, you certify that you may not hold me,
the owner and operator of this web site, liable in any way, or under
any theory of law. This applies with regard to all content of this web
site, of any nature whatsoever, whether the content be in text,
photographs, videos or otherwise, and whether or not any of this web
site's content could be considered offensive, pornographic, illegal,
defamatory, false, nude, sexual, or offensive or illegal under any
philosophy or culture. If you could be violating a law by accessing
this web site, you certify to me that you do so at your own legal and
financial, and other risk, exclusively, and expressly not at my legal
or financial, or other risk.
This website may never be owned by anyone but myself, whether under my present name or any future or past name that I may have used. It may never be managed by anyone but myself.
No materials or text of any nature, on this web site, may be used against
me, in a court of law or otherwise. To the fullest extent possible, there may be no exception to this clause.
Important Clause
The harassment caller (who's been harassing me by reaching
me at my cell phone), by visiting, viewing, reading the text of, or
otherwise using this website, or any portion of this website, has
forfeited all of his assets, wages, salaries and other remuneration to
me personally, for life. In addition, he shall reimburse for all costs
of attorneys and/or collection fees necessary for me to collect from
him for life. Furthermore, by violating this clause, he waives his
legal right to contest the validity of this clause. The harassment caller's
use of any method or means whatsoever in communcating such troublesome messages to me shall be deemed as his having demonstrated guilt of having violated this clause. To the fullest extent permissible under law, this clause,
and all portions of it, shall permanently remain in full force and effect. If any portion/portions of this clause should be deemed by a court of competent juridiction to be unenforceable, such portion/portions shall be reformed as necessary to reflect the intentions of this clause, to the extent necessary to make
it/them valid and enforeable. If any portion of this clause cannot be reformed to
reflect the original intentions, then such portion, to that extent, shall be ignored, and the remainder of this clause shall remain in full force and effect.
Ok, I've started to feel more sympathetic towards you again, and I'm feeling inclined to ease up a bit towards you in these terms of service, Madonna. I don't like to play the tough guy, but I've felt backed into a corner at times, and I've had to defend myself, Madonna. Here are the pared-down conditions for you, Madonna:
Madonna Louise Ciccone (whether under the foregoing name or any other) and any
and all of her legal representatives past present or future, and any
other business partners of hers or theirs, by visiting, viewing,
reading the text of, or otherwise using this website, agree to the
following two numbered subclauses:
1. That none of them, acting either alone or in concert with one another, or in concert with anyone
else, will use, or attempt to use, any of the materials, text, messages
or other content of this website against me in a court of law or
otherwise.
2. That he/she/they shall forever refrain from harassing me.
The owner, or owners, of myspace.com, by using, or attempting to use, any of the
content of this website against me, either through court or otherwise,
has forfeited the entire ownership of myspace, which would hereby be
legally surrendered to me personally, without my inheriting any of the
blame for any misconduct by myspace up to that point of time. In addition,
I would not inherit the preexisting liabilities, financial or otherwise, of myspace up to the point in time of such transfer of ownership to me. This
clause survives forever to my personal benefit exclusively.
My not exercising any of my rights, with regard to this website and its contents, shall not
be interpreted as a waiver of those rights.
Since it seems that every web site should have a legal notices
web page, my web site will be no exception to that rule. Well, here it is,
my legal notices page.
All textual and pictorial information on this web site, and on all of
its pages, is copyrighted by myself, or by someone else. Any commercial
use of this information must be approved, by myself, or by the other
respective copyright owner. I am personally the copyright owner of the
vast majority of information on this web site. Accordingly, I am the one
to contact, through the email links found on this web site.
Additionally, any and all music found on my web site is also
copyrighted. All commercial use of it, in any form, whether in audio or
midi or written or other format, must also be approved by myself, or
the respective copyright owner.
Likewise, any software found on this web site is copyrighted. Any use,
commercial or otherwise, must be approved by myself, or by the
respective copyright owner.
Furthermore, I disclaim any and all liability for any use of any and
all content on this web site, to the maximum extent permitted by any and
all applicable law.
I've never liked to be bothered with legal notices, on web sites or with
software, so I've tried to bestow the benefit of that attitude, by
keeping this page as short as practical. Hopefully this relatively
terse page will suffice.
Incidentally, how do you like this scale-of-justice tree, found in this
web page's background image? I just snapped this photo today, October
2, 2005, before creating the original version of this page. I didn't
realize, at the time, that it bore a resemblance to the classic scale
of justice.
Perhaps this is belaboring the obvious, but I think I should state this
clearly anyway. Although I strive towards truthfulness on this web site, the
exception is that I have some jokes sprinkled throughout this
web site. I hope this is enough said on this point.
FOR THE RECORD:
1) In 1974, when I was 16 years old, I created, and assumed, a music pseudonym of "Adam Levine." I got the idea of that last name, which I liked, from the name of Robert E. Levine, who was experiencing a scandal in the media back then.
2) In 1974, I composed the music and song "This Love," the very same one on Maroon5's CD called Songs about Jane, while walking on Hollywood Bl., in Hollywood, by myself.
3) A lady, who I had never met before then, witnessed my composing that song then on Hollywood Bl.
4) She never told me her name, that I remember, but she set up appointments, back then, to meet her in an old business district building in Los Angeles, to compose the rest of the music on that very same CD, Songs about Jane, in 1974, when I was 16.
5) That lady imformed me that she recorded my voice singing This Love on the
street, and agreed to put the music down on paper for me, if I agreed
to let the name "J. Carmichael" appear by my name,"Adam
Levine," for coauthoring credit.
6) There were a number of young men in the boardroom-style room (with a long table), in
that building, where I composed the remainder of that music for the Songs about Jane CD.
7) Way back then, that lady contacted me over the television, asking me to
contact her by a phone number, which was displayed on the television
screen.
8) I called that phone number, back then,
and it was her on the other end of the line.
9) She told me that she could find no record of the existence of an "Adam
Levine."
10) I told her that was not my original name.
11) She said that I needed to make the name legitimate.
12) I agreed, and asked my parents, who
did not allow me to change my name to "Adam Levine."
13) I asked my parents if I could drop out of high school, to pursue my
music career, which they also said "no" to.
14) I forgot about it all, almost entirely, until I heard, in 2004, This Love at a strip
joint in Anaheim, California.
15) I think I'm willing to forgive Maroon5,
if they correct the record on their end, and agree to pay me.
16) During the course of this year (2005), I've been dredging up my
recollections of my old music career activities of many years ago, and
trying to figure out how to protect my intellectual property rights
(related to my music). Since I can't afford a lawyer, it's practically
hopeless for me. Lawyers are selfish; they wouldn't want to take on my
case, on my behalf.
17) Something like over twenty years ago (I didn't make a note of the exact date), I composed Boulevard of Broken Dreams
(Green Day)
and American Idiot
(Green Day),
in my head, and asked Madonna to put down Boulevard of Broken Dreams
on paper for me, which she accomplished back then. If Green Day corrects the
record on their end, and agrees to pay me, I think I'm willing to
forgive them.
18) I composed American Idiot in my
head, in the presence of some of Madonna's people, in her studio of
then. They performed it in front of me, as I gave voice to how it goes
(sounds).
19) I hate to say anything bad about Madonna. I still respect Madonna, but I have to say what I have to say about her. I think I'm willing to forgive Madonna, et al, if she, and whoever else involved, would make a reasonable effort to make good on their conflict-of-interest situation with me. In part, at least, here are some of the issues:
a) I created the name "Mirwais Ahmadzäi," for myself, for
music I worked on with Madonna, back in the 1970s.
b) Madonna effectively gave away credit for some of the music of my
composing, by even giving away pseudonyms that I created.
c) "Stent" was another name I made up in conjunction with Madonna, but
Madonna told me, back then, that she was going to give that name to one
of her other guys. I didn't argue that particular point.
d) I composed Nothing Fails
myself, mostly in Fullerton, and did some finishing touches on it in
Hollywood, on Sunset Bl., in the presence of the Madonna crowd, in the
1970s. I think the guy going by the name, "Stent," probably
started going by that name, "Stent," afterwards. It's difficult to
recall, at this time, when exactly that name came into being.
e) I composed Borderline, on her
first album, in my head, in the 1970s. I started composing Borderline
while riding a bicycle, and continued composing it later. I didn't keep
a record as to exact dates of that.
f) I composed other music on her first album.
g) I'm truly sorry we've had differences, Madonna. We need to work it
out, Madonna. I've been trying to believe I love you, Madonna, but you
haven't let it be entirely easy, Madonna. Most of my life, so far, has
been destroyed in the midst of all this, my Madonna.
20) The information on this page is extremely accurate, to the best of my knowledge and belief.